Monday, October 30, 2006
Here is another button for you to enjoy. I don't know when I will be able to get back to stitching CQ - things are so busy. Our church boutique is Nov 11, my daughter's birthday is the 12th, I have company coming and staying for several days on the 9th, and I can't wait to get a needle in my hand instead of a glue gun. I don't mind making things that come out really nicely, but now I am working on some cutsie-pie snowmen....and I'm not really a cutesie-pie person. I'd much rather make something victorian or sophisticated or just beautiful.
Saturday, October 28, 2006
not really paranoid in LA,
Tuesday, October 24, 2006
If you look closely, you might see that these silk ribbon roses "stand up tall". That is because they are Beaded Spiderweb Roses. When you stitch the spiderweb foundation, you do so over a Mill Hill Pebble bead. A pebble bead is a little bigger than an E bead and has a nice big hole in the center so you can fit a large chenille needle thru it when you get to the silk ribbon portion of the rose. I like the effect.
This could easily translate into a motif used in a crazy quilt. Some motifs are appliqued onto the CQ, then embroidered. Whenever I do this, I sew the desired shape right sides together to a piece of non-woven interfacing. I sew around all the edges, not leaving any opening for turning. I then slit the back of the interfacing, turn the motif right side out and press. This way you get a good shape, without the usual bulge where the opening for turning was located. If you want to get really clever, you can stitch your motif to fusible interfacing (right side of motif to non-fusible side of interfacing). Then after you slit and turn the motif, you can place it on the CQ and iron it on. But you have to use a special non-stick sheet on your ironing board, or when you are pressing it into shape, you'll iron it onto your ironing board!
Monday, October 23, 2006
Thursday, October 19, 2006
I neglected to answer the question before (sorry about that) asking me where where I get my suede or ultrasuede. One of the best purchases I ever made was at a thrift shop. I bought a white leather skirt, which was discolored on the front in a few spots. But the back of it was fine. I have cut that thing up so many times. Especially when I needed a weird color, I would just color it with a sharpie- just for small projects like this.
Tuesday, October 17, 2006
Wednesday, October 11, 2006
Tuesday, October 10, 2006
I just have 3 or four more seams to go until I can sew it together and it will be done! Yay! But then what will I work on? I have way too many ideas floating around in my head....
Saturday, October 07, 2006
Here is another button picture, along with another way to display buttons. Since I have so many buttons (I used to collect them) and they used to just sit in a box in the closet, I wanted them out where I could see them. I used a shadowbox frame - it's about an inch and a half deep. The buttons are mounted on cardboard, which is covered with batting, then fabric. I stitch back and forth thru the fabric edges on the back to make it nice and tight all around. I use an awl to punch a hole thru the fabric, batting and cardboard, insert the button shank, then wrap a pipe cleaner or telephone wire thru the shank, spreading out the ends to secure the button in its place.
Here are the instructions on how I made my beaded cameo pin. The nice thing about this is that you can make a pin, or you can do the same thing to a button, cabochon, etc. and use it on your crazy quilt. If you make it a pin, you can pin it onto a CQ pillow, pincushion or quilt, give it as a gift or keep it and then pin it onto yourself when you want to wear it. Keep in mind, this is how I made the pin that's pictured - you can have fewer or more rows of beads around the cameo or a different decorative edging around the outside. Sometimes I do beads to match the cabochon for the first 2 rows and then white/cream beads for the lacy decorative edging.
Felt (about half an inch larger than your cameo, all around)
One inch pin-back
Suede, ultra suede or leather (slightly larger than your felt piece)
E6000 jewelry glue
Flower, leaf and other assorted beads for embellishment
Stitch 2 rows of beads around the cameo, into the felt. I start by stitching down 2 beads in a row, come back up thru the 1st and 2nd, add 2 beads and continue around. When trying to snug beads up against the curve of the cameo, it is better to have one too few than one too many beads. Trim the felt very close to the second row of beads, being careful not to cut any beading threads.
Next, you will glue this onto a piece of suede, ultra-suede or leather (but read on first). I choose a color of suede that will match my beading thread for the beaded border (because this will show on the back). Open up the pin-back. Lay it on your suede and mark just inside the two ends.
Cut 2 vertical slits in the suede about an inch apart so that the pin-back can be glued between the felt and suede and still be functional. I use a one-inch pin-back and position it about a third of the way down from the top of the pin. You can see my slits (especially that huge one on the right side in the picture below) Glue the felt, pin-back and suede together.
Once this glue is dry, stitch a row of beads into the suede, going around your other rows so that you form a third row. This row is the foundation row for the decorative border stitching. Carefully trim the suede very close to your third row of beads.
For my decorative border, I would go thru a bead in the third row, pick up four seed beads, go back thru the third seed bead, add two more seed beads, skip the next three beads in the third row, and go thru the next bead in the third row, over and over again. (See picture below) That fourth seed bead is the "point" that sticks out at every inverted "V". Once this decorative row is done, you can choose an area to add a bunch of flowers and leaves and dangles. This part is really fun.
For this picture, I used giant E beads, so the stitching for the decorative edging would be easier to see. So the effect is not as good as with seed beads, but you can see the details better. The turquoise beads represent your third row.
Have fun with this!
Thursday, October 05, 2006
When I was a kid, I always thought radio stations had the band right there in the station, playing the song. Of course, I never noticed that the bands seemed to travel all over the place to various radio stations all the time. Or wondered how that dead guy who was singing seemed to be live in their radio station!
I once didn't talk to my husband for 3 days because of what he did to me in a dream. He left me in a very bad part of town, late at night in the dark, with nothing but underwear and a skateboard!
I was almost born in Japan and always thought that if I had been, that I would look different. You know the surgery some Asian women want so they can have "western eyes"? I always wanted to have "Asian eyes". (Of course, I am too big a chicken to ever go near a surgeon)
OK, now for my tags, right? Then I will tag Ribbonwiz, Marty52, Iris Susan, Kitty & Me and Need Lil More time to sew. Let the weirdness flow...
The lower fabric is very busy, so it was hard to figure out what would show up on it. It is a beautiful paisley, though, and belonged to my mother, so there is no way I would not include it. Happy stitching, everyone!
Tuesday, October 03, 2006
This morning I was watching Simply Quilts. I know they are all reruns now, but I hadn't seen this one before. It was all about crazy quilts and featured the work of Judith Montano. She described CQ as the most painterly of all quilting methods. Betty Pillsbury was also on the show; she demonstrated how to piece CQ and how to do the feather stitch. She had done it in many different threads and in many different "variations" - they all looked so different you might not ever have identified them as feather stitches. It was a nice change from sane quilting.
Monday, October 02, 2006
Well here's my latest seam - I don't want it to stand out too much - it's near a sleeve seam that needs to be more prominent.